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Norton Anthology of Western Music: Ancient to Baroque, Volume 1, 8th Edition

  • J. Peter Burkholder
  • Donald Jay Grout
  • Claude V. Palisca
  • ISBN-10: 0393656411
  • ISBN-13: 9780393656411
  • 0 Pages | Paperback
  • COPYRIGHT: 2019 Published
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Overview

About the Product

The definitive history of Western Music

The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what’s important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow’s musicians.

Table of Contents

1 Epitaph of Seikilos
2 Euripides: Orestes: Stasimon chorus
3 Mass for Christmas Day
3a (a) Introit: Puer natus est nobis
3b (b) Kyrie
3c (c) Gloria
3d (d) Gradual: Viderunt omnes
3e (e) Alleluia: Dies sanctificatus
3f (f) Credo
3g (g) Offertory: Tui sunt caeli
3h (h) Sanctus
3i (i) Agnus Dei
3j (j) Communion: Viderunt omnes
3k (k) Ite, missa est
4 Chants from Vespers for Christmas Day
4a (a) First Psalm with Antiphon: Tecum principium and psalm Dixit Dominus
4b (b) Hymn: Christe Redemptor omnium
5 Tropes on Chants from Mass for Christmas Day
5a Tropes on Introit, Puer natus: Quem queritis in presepe and melisma
5B ALLELUIA MULTIPHARIE OLIM DEUS WITH PROSULA NATUS EST NOBIS/MULTIS LOQUUTIONIBUS
5C TROPED OFFERTORY: QUI ES SINE PRINCIPIO—TUI SUNT CAELI
6 Sequences Victimae paschali laudes and Dies irae
6a Ascribed to Wipo of Burgundy (ca. 995-ca. 1050): Victimae paschali laudes
6B ASCRIBED TO THOMAS OF CELANO (D. CA. 1250): DIES IRAE
7 Hildegard of Bingen: Ordo virtutum: Closing chorus, In principio omnes
8 Bernart de Ventadorn: Can vei la lauzeta mover
9 Comtessa de Dia: A chantar
10 Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m'aime
11 Walther von der Vogelweide: Palästinalied (Nü alrëst lebe ich mir werde)
12 Cantiga 159: Non sofre Santa María, from Cantigas de Santa Maria
13 La quarte estampie royal, from Le manuscript du roi
14 Organa from Musica enchiriadis
14a (a) Tu patris sempiternus es filius
14b (b) Sit Gloria domini
14c (c) Rex caeli domine
15 Alleluia Justus ut palma, from Ad organum faciendum
16 Jubilemus, exultemus
17 Leoninus and colleagues: Viderunt omnes
18 Clausulae on Dominus, from Viderunt omnes
18a (a) Dominus, clausula No. 26
18b (b) Dominus, clausula No. 29
19 Perotinus: Viderunt omnes
20 Motets on Tenor Dominus
20a (a) Factum est salutare/Dominus
20b (b) Fole acostumance/Dominus
20c (c) Super te/Sed fulsit virginitas/Dominus
21 Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes
22 Petrus de Cruce: Aucun ont trouvé/Lonc tans/Annuntiantes
23 Sumer is icumen in
24 Philippe de Vitry: Cum statua/Hugo, Hugo/Magister invidie
25 Guillaume de Machaut: La Messe de Nostre Dame
25a (a) Kyrie
25b (b) Gloria
26 Guillaume de Machaut: Douce dame jolie
27 Guillaume de Machaut: Rose, liz, printemps, verdure
28 Philipoctus de Caserta: En remirant vo douce pourtraiture
29 Jacopo da Bologna: Non al suo amante
30 Francesco Landini: Così pensoso
31 Francesco Landini: Non avrà ma' pietà
32 Alleluia, A newë work
33 John Dunstable: Quam pulchra es
34 Binchois (Gilles de Bins): De plus en plus
35 Guillaume Du Fay: Resvellies vous
36 Guillaume Du Fay: Christe, redemptor omnium
37 Guillaume Du Fay: Se la face ay pale
37a (a) Se la face ay pale
37b (b) Missa Se la face ay pale: Gloria
38 Antoine Busnoys: Je ne puis vivre
39 Jean de Ockeghem: Missa prolationum: Kyrie
40 HENRICUS ISAAC: PUER NATUS EST, FROM MISSA NATALIS DOMINI IN CHORALIS CONSTANTINUS
41 Henricus Isaac: Innsbruck, ich muss dich lassen
42 Josquin Desprez: Faulte d'argent
43 Josquin Desprez (?): Mille regretz
44 Josquin Desprez: Ave Maria . . . virgo serena
45 Josquin Desprez: Missa Pange lingua
45a (a) Kyrie
45b (b) Credo, excerpt: Et incarnatus est and Crucifixus
46 Juan del Encina: Oy comamos y bebamos
47 Jacques Arcadelt: Il bianco e dolce cigno
48 Cipriano de Rore: Da le belle contrade d'oriente
49 Luca Marenzio: Solo e pensoso
50 Carlo Gesualdo: "Io parto" e non più dissi
51 Claudin de Sermisy: Tant que vivray
52 CLÉMENT JANEQUIN: MARTIN MENNOIT SON PORCEAU
53 Orlande de Lassus: La nuict froide et sombre
54 Claude Le Jeune: Revecy venir du printans
55A GIOVANNI GIACOMO GASTOLDI: A LIETA VITA
55B THOMAS MORLEY: SING WE AND CHANT IT
56 Thomas Weelkes: As Vesta was
57 John Dowland: Flow, my tears
58 Martin Luther: Nun komm, der Heiden Heiland and Ein feste Burg
58a (a) Attributed to St. Ambrose: Hymn, Veni redemptor gentium
58b (b) Martin Luther: Nun komm, der Heiden Heiland
58c (c) Martin Luther: Ein feste Burg
58d (d) Johann Walter: Ein feste Burg, setting for four voices
59 Loys Bourgeois: Psalm 134 (Or sus, serviteurs du Seigneur)
59a (a) Psalm 134, Or sus, serviteurs du Seigneur
59b (b) William Kethe: Psalm 100, All people that on earth do dwell
60 Thomas Tallis: If ye love me
61 William Byrd: Sing joyfully unto God
62 Nicolas Gombert: Ave regina caelorum
63 Giovanni Pierluigi da Palestrina: Pope Marcellus Mass
63a (a) Credo
63b (b) Agnus Dei I
64 Tomás Luis de Victoria: O magnum mysterium
64a (a) O magnum mysterium
64B (B) MISSA O MAGNUM MYSTERIUM: KYRIE
64c (c) Missa O magnum mysterium: Gloria
64d (d) Missa O magnum mysterium: Sanctus
65 Orlande de Lassus: Cum essem parvulus
66 Tielman Susato: Dances, from Danserye
66a (a) No. 38: Pavane La dona
66b (b) No. 50: Galliard La dona
66c (c) No. 5: Basse danse La morisque
67 Anthony Holborne: Dances
67a (a) The Night Watch, almain
67b (b) The Fairie-round, galliard
68 Luis de Narváez: From Los seys libros del Delphín, intabulation and variations for vihuela
68a (a) Cancion Mille regres
68b (b) Cuatro diferencias sobre "Guárdame las vacas"
69 William Byrd: John come kiss me now
70 Giovanni Gabrieli: Canzon septimi toni a 8, from Sacrae symphoniae
71 Claudio Monteverdi: Cruda Amarilli
72 Giulio Caccini: Vedrò 'l mio sol
73 Jacopo Peri: Le musiche sopra l'Euridice: Excerpts
73a (a) Aria: Nel pur ardor
73b (b) Dialogue in recitative: Per quel vago boschetto
74 Claudio Monteverdi: L'Orfeo: Excerpts from Act II
74a (a) Aria/canzonetta: Vi ricorda o boschi ombrosi
74b (b) Song: Mira, deh mira Orfeo
74c (c) Dialogue in recitative: Ahi, caso acerbo
74d (d) Recitative: Tu se' morta
74e (e) Choral madrigal: Ahi, caso acerbo
75 Claudio Monterverdi: L'incoronazione di Poppea: Act I, Scene 3
75a (a) Dialogue in recitative: Signor, deh non partire
75b (b) Aria: In un sospir
75c (c) Aria: Signor, sempre mi vedi
75d (d) Dialogue in mixed styles: Adorati miei rai
76 FRANCESCO CAVALLI: ARTEMISIA: ACT I, SCENE 3
76A (A) ARIA: DUBBIA M'APPAR LA LUCE
76B (B) DIALOGUE IN RECITATIVE: VUO' LEGGER L'EPITAFIO
76C (A) ARIA: PIETÀ DI MIE PENE
77 Barbara Strozzi: Lagrime mie
78 Giovanni Gabrieli: In ecclesiis
79 Alessandro Grandi: O quam tu pulchra es
80 Giacomo Carissimi: Historia di Jephte: Excerpts
80a (a) Recitative: Plorate colles
80b (b) Chorus: Plorate filii Israel
81 Heinrich Schütz: Saul, was verfolgst du mich, SWV 415, from Symphoniae sacrae III
82 Girolamo Frescobaldi: Toccata No. 3
83 Girolamo Frescobaldi: Ricercare after the Credo from Mass for the Madonna, in Fiori musicali
84 Biagio Marini: Sonata IV per il violino per sonar con due corde
85 Jean-Baptiste Lully: Armide: Excerpts
85a (a) Overture
85b (b) Conclusion of divertissement from Act II, Scene 4: Laissons au tendre amour
85c (c) Act II, Scene 5: Enfin il est en ma puissance
86 Jean-Baptiste Lully: Te Deum: Conclusion
87 MARC-ANTOINE CHARPENTIER: LE RENIEMENT DE SAINT PIERRE
87A (A) DIALOGUE IN RECITATIVE: MINISTRI ERGO JUDEORUM
87B (B) CHORUS: ET INTRODUCTUS EST PETRUS
87C (C) DIALOGUE IN RECITATIVE: "ET TU CUM JESU NAZARENO ERAS?"
87D (D) CHORUS: TUNC RESPIXIT JESUS
88 Denis Gaultier: La coquette virtuose
89 Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, from Pièces de clavecin
89a (a) Prelude
89b (b) Allemande
89c (c) Courante I and II
89d (d) Sarabande
89e (e) Gigue
89f (f) Chaconne
89g (g) Gavotte
89h (h) Menuet
90 Henry Purcell: Dido and Aeneas: Conclusion
90a (a) Recitative: Thy hand, Belinda
90b (b) Lament (ground bass aria): When I am laid in earth
90c (c) Chorus: With drooping wings
91 Tomás de Torrejón y Velasco: La púrpura de la rosa: Excerpts
91a (a) Dialogue in strophic song: Y bien ¿qué es lo que adviertes?
91b (b) Chorus: Corred, corred, cristales
92 JUAN GUTIÉRREZ DE PADILLA: DE LOS REYES: ALBRICIAS, PASTORES!
93 ANTONIO SARTORIO: GIULIO CESARE IN EGITTO: ACT II, SCENES 3-4
94 Arcangelo Corelli: Trio Sonata, Op. 3, No. 2
94a (a) Grave
94b (b) Allegro
94c (c) Adagio
94d (d) Allegro
95 Dieterich Buxtehude: Praeludium in E Major, BuxWV 141
96 Alessandro Scarlatti: Clori vezzosa, e bella: Conclusion
96a (a) Recitative: Vivo penando
96b (b) Aria: Sí, sí ben mio
97 Alessandro Scarlatti: La Griselda: Excerpt from Act I, Scene 2
98 Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6, from L'estro armonico
98a (a) Allegro
98b (b) Largo
98c (c) Presto
99 François Couperin: Vingt-cinquième ordre: La Visionaire; La Muse Victorieuse; Les ombres errates
99a (a) La visionaire
99b (b) La muse victorieuse
99c (c) Les ombres errantes
100 Jean-Philippe Rameau: Hippolyte et Aricie, Act IV: Excerpts
100a (a) Conclusion of Scene 3
100b (b) Scene 4
101 Georg Philipp Telemann: Paris Quartet No. 1 in G Major (Concerto Primo), Movements 3-5
101a (a) Presto
101b (b) Largo
101c (c) Allegro
102 Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543
102a (a) Prelude
102b (b) Fugue
103 Johann Sebastian Bach: Chorale Prelude on Durch Adams Fall, BWV 637
104 Johann Sebastian Bach: The Well-Tempered Clavier, Book I, BWV 853
194a (a) Prelude No. 8 in E-flat Minor
104b (b) Fugue No. 8 in D-sharp Minor
105 Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 62
105a (a) No. 1, Chorus: Nun komm, der Heiden Heiland
105b (b) No. 2, Aria (tenor): Bewundert, o Menschen
105c (c) No. 3, Recitative (bass): So geht aus Gottes Herrlichkeit und Thron
105d (d) No. 4, Aria (bass): Streite, siege, starker Held!
105e (e) No. 5, Accompanied recitative (soprano and alto): Wir ehren diese Herrlichkeit
105f (f) No. 6, Chorale: Lob sei Gott, dem Vater, ton
106 Johann Sebastian Bach: St. Matthew Passion, BWV 244: Excerpts
106a (a) No. 36, Biblical narrative: Und der Hohepriester antwortete
106b (b) No. 37, Chorale: Wer hat dich so geschlagen
106c (c) No. 38, Biblical narrative: Petrus aber saß draußen im Palast
106d (d) No. 39, Aria: Erbarme dich
106e (e) No. 40, Chorale: Bin ich gleich von dir gewichen
107 George Frideric Handel: Giulio Cesare: Act II
107a (a) Scene I: Eseguisti
107b (b) Scene II: V'adoro, pupille
108 George Frideric Handel: Saul: Act II, Scene 10
108a (a) No. 66, Accompanied recitative: The Time at length is come
108b (b) No. 67, Recitative: Where is the Son of Jesse?
108c (c) No. 68, Chorus: O fatal Consequence of Rage

New to this edition

  • THE ANTHOLOGY OFFERS 229 COMPELLING WORKS SUPPORTED BY THE PEDAGOGY STUDENTS NEED. This companion anthology in three volumes provides the scores for every major work discussed in the text. The new edition offers 36 new or expanded selections, from new medieval chant examples to 21st-century works by Caroline Shaw and Thomas Adès. Recordings of each work are available for streaming and download.